Straight on and flat, centered with a disregard and disdain of "rule of thirds," tight and confining background or wide open background. This was very specific stylistic and aesthetic choice and the great majority of the photos reflect this choice. There's implied possibility of circumnavigation of limited choices in architectural images and there real subversion and struggle and success in the portraiture.
There's movement with figures striding with a confined background. Implied and real movement is sparse and strategically placed. Absence and stifling of movement is also there.
There's figurative and literal reflection. There's direct references to my personal history and to art history.