In relation to the possibly heavy-handed metaphor that could be read in the pillars' support of traffic overhead, I made a very conscious decision to include very few, if any, direct "work" photos. For the installation to be successful in allowing the open-ended epic, and myth referencing, readings that I hope it can impart, I'm more interested in presenting the movement of everyday life with a conspicuous absence of industry. As usual, there's a myriad of reasons for my decision, with the most obvious being the literal site of the installation, right along the deindustrialized, or post-industrial, Philadelphia/Camden Delaware River waterfront.
Linda and Kelley are final
Camden Teardrop is very likely.
Almost 100% certain
All in previous installations